About the episode
How is history written?
For years, the name Begoña Urroz circulated through official events, headlines, speeches in Congress. It was the public story, the one told out loud. Meanwhile, another story was being woven beneath it: slower, more fragmented, a version written in the margins of the official history.
This episode explores these two currents: when they alternate, when they intersect, when they converge. And it shows that sometimes changing a date is not just a symbolic gesture: it is also moving the place from which we read our past.
About the series
She Had My Name is the story of a woman who inherited the name of her sister, who died two years before she was born, victim of a bomb in a train station. It’s the story of a silence: that of a family that lived in secret the mourning of that girl. A thick, mundane silence into which it seemed impossible to delve.
And it is also the story of the noise that, fifty years later, came to break it. And of what it meant for a whole country.
Se llamaba como yo is the new documentary series by (De eso no se habla), co-produced with EITB and with the support of the Ministry of Culture.
Credits
DIRECTION, RESEARCH AND SCRIPT
Isabel Cadenas Cañón
INITIAL DEVELOPMENT (SCRIPT AND PRODUCTION)
Isabel Cadenas Cañón
Xuban Intxausti
PRODUCTION AND EDITING ASSISTANCE
Paula Morais Montes
COORDINATION
Cris Tena
SCRIPT EDITING
Marta Martínez
NARRATIVE AND/OR POLITICAL CONSULTING
Pablo Romero
Ana Useros
Vanessa Rousselot
SOUND DESIGN
Isabel Cadenas Cañón
FINAL MIX
Yago Mendívil
STUDIO RECORDINGS
Isolé División Sonora
FACT CHECKING
José Molina y Clara Jiménez Cruz (Fundación Maldita)
MUSIC
Maite Larburu
THEME
Maite Larburu y Vega Montero
COLLAGE
Carmen Cáceres
GRAPHIC DESIGN
Sandra Soler Peyton
DOCUMENTATION
Rebeca Hernández
Queralt Castillo
COMMUNICATION
María Zuil
